Isochrony and rhythmic interaction in ape duetting Article Swipe
YOU?
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· 2023
· Open Access
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· DOI: https://doi.org/10.1098/rspb.2022.2244
How did rhythm originate in humans, and other species? One cross-cultural universal, frequently found in human music, is isochrony: when note onsets repeat regularly like the ticking of a clock. Another universal consists in synchrony (e.g. when individuals coordinate their notes so that they are sung at the same time). An approach to biomusicology focuses on similarities and differences across species, trying to build phylogenies of musical traits. Here we test for the presence of, and a link between, isochrony and synchrony in a non-human animal. We focus on the songs of one of the few singing primates, the lar gibbon ( Hylobates lar ), extracting temporal features from their solo songs and duets. We show that another ape exhibits one rhythmic feature at the core of human musicality: isochrony. We show that an enhanced call rate overall boosts isochrony, suggesting that respiratory physiological constraints play a role in determining the song's rhythmic structure. However, call rate alone cannot explain the flexible isochrony we witness. Isochrony is plastic and modulated depending on the context of emission: gibbons are more isochronous when duetting than singing solo. We present evidence for rhythmic interaction: we find statistical causality between one individual's note onsets and the co-singer's onsets, and a higher than chance degree of synchrony in the duets. Finally, we find a sex-specific trade-off between individual isochrony and synchrony. Gibbon's plasticity for isochrony and rhythmic overlap may suggest a potential shared selective pressure for interactive vocal displays in singing primates. This pressure may have convergently shaped human and gibbon musicality while acting on a common neural primate substrate. Beyond humans, singing primates are promising models to understand how music and, specifically, a sense of rhythm originated in the primate phylogeny.
Related Topics
- Type
- article
- Language
- en
- Landing Page
- https://doi.org/10.1098/rspb.2022.2244
- OA Status
- hybrid
- Cited By
- 54
- References
- 67
- Related Works
- 10
- OpenAlex ID
- https://openalex.org/W4315621379
Raw OpenAlex JSON
- OpenAlex ID
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https://openalex.org/W4315621379Canonical identifier for this work in OpenAlex
- DOI
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https://doi.org/10.1098/rspb.2022.2244Digital Object Identifier
- Title
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Isochrony and rhythmic interaction in ape duettingWork title
- Type
-
articleOpenAlex work type
- Language
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enPrimary language
- Publication year
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2023Year of publication
- Publication date
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2023-01-11Full publication date if available
- Authors
-
Teresa Raimondi, Giovanni Di Panfilo, Matteo Pasquali, Martina Zarantonello, Livio Favaro, Tommaso Savini, Marco Gamba, Andrea RavignaniList of authors in order
- Landing page
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https://doi.org/10.1098/rspb.2022.2244Publisher landing page
- Open access
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YesWhether a free full text is available
- OA status
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hybridOpen access status per OpenAlex
- OA URL
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https://doi.org/10.1098/rspb.2022.2244Direct OA link when available
- Concepts
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Singing, Rhythm, Biology, Musicality, Communication, Evolutionary biology, Musical, Psychology, Acoustics, Literature, Art, PhysicsTop concepts (fields/topics) attached by OpenAlex
- Cited by
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54Total citation count in OpenAlex
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2025: 18, 2024: 17, 2023: 17, 2022: 1, 2021: 1Per-year citation counts (last 5 years)
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67Number of works referenced by this work
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-
10Other works algorithmically related by OpenAlex
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| abstract_inverted_index.frequently | 12 |
| abstract_inverted_index.individual | 222 |
| abstract_inverted_index.isochrony, | 139 |
| abstract_inverted_index.isochrony. | 129 |
| abstract_inverted_index.isochrony: | 18 |
| abstract_inverted_index.musicality | 256 |
| abstract_inverted_index.originated | 282 |
| abstract_inverted_index.phylogeny. | 286 |
| abstract_inverted_index.plasticity | 227 |
| abstract_inverted_index.structure. | 153 |
| abstract_inverted_index.substrate. | 264 |
| abstract_inverted_index.suggesting | 140 |
| abstract_inverted_index.synchrony. | 225 |
| abstract_inverted_index.understand | 273 |
| abstract_inverted_index.universal, | 11 |
| abstract_inverted_index.co-singer's | 202 |
| abstract_inverted_index.constraints | 144 |
| abstract_inverted_index.determining | 149 |
| abstract_inverted_index.differences | 58 |
| abstract_inverted_index.individuals | 37 |
| abstract_inverted_index.interactive | 241 |
| abstract_inverted_index.isochronous | 179 |
| abstract_inverted_index.musicality: | 128 |
| abstract_inverted_index.phylogenies | 64 |
| abstract_inverted_index.respiratory | 142 |
| abstract_inverted_index.statistical | 193 |
| abstract_inverted_index.convergently | 251 |
| abstract_inverted_index.individual's | 197 |
| abstract_inverted_index.interaction: | 190 |
| abstract_inverted_index.sex-specific | 219 |
| abstract_inverted_index.similarities | 56 |
| abstract_inverted_index.biomusicology | 53 |
| abstract_inverted_index.physiological | 143 |
| abstract_inverted_index.specifically, | 277 |
| abstract_inverted_index.cross-cultural | 10 |
| cited_by_percentile_year.max | 100 |
| cited_by_percentile_year.min | 89 |
| corresponding_author_ids | https://openalex.org/A5049671913, https://openalex.org/A5057147871 |
| countries_distinct_count | 4 |
| institutions_distinct_count | 8 |
| corresponding_institution_ids | https://openalex.org/I204337017, https://openalex.org/I4210089003, https://openalex.org/I4210107971, https://openalex.org/I55143463 |
| sustainable_development_goals[0].id | https://metadata.un.org/sdg/14 |
| sustainable_development_goals[0].score | 0.4699999988079071 |
| sustainable_development_goals[0].display_name | Life below water |
| citation_normalized_percentile.value | 0.99438202 |
| citation_normalized_percentile.is_in_top_1_percent | True |
| citation_normalized_percentile.is_in_top_10_percent | True |