May Sinclair’s Romantic Corpus Article Swipe
This paper explores May Sinclair’s Modernist appropriation of Romantic tropes and experimentations. As a literary critic, Sinclair (1863-1946) wrote influential papers on Modernist poetry, but barely mentions Romantic poets in her many essays. By contrast, her own narrative poem, The Dark Night (1924), articulates Eliotian references with Romantic themes (Dowson 2006). This influence is even more remarkable in her fiction. Her characters’ poetic references have little to do with contemporary Imagist and Vorticist experimentations; instead, Sinclair’s novels insistently mention the same eclectic poetic corpus, wherein British Romanticism, including several poems by Shelley, Byron, Keats and Wordsworth, plays a major role. In Mary Olivier’s Bildung (Mary Olivier: A Life, 1919), for instance, Mary’s assimilation of Romantic poems deeply resonates with her discoveries of pantheism, sensuality and rebellion, true to Sinclair’s own interests in spirituality and philosophical idealism. Sinclair’s marked interest in Romantic poetry suggests a little-known continuum between Romanticism and Modernism. In Mary Olivier, the numerous quotes and gloss of Romantic poems become a textual network that forms an interesting counterpoint to the Modernist aesthetics of fragmentation. As the main character Mary is caught in Shelley’s “Adonais,” her reading provides her with powerful images and an endless soundscape that help her escape oppressive Victorian institutions. Romantic texts become ingrained in the character’s individuation process and provide her with new landmarks that help her redefine her identity. The Romantic corpus brings on a new relation to nature as well as a sense of artistic filiation that shape the character’s Modernist self.
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Metadata
- Type
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- Language
- en
- Landing Page
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- OA Status
- diamond
- References
- 58
- Related Works
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- OpenAlex ID
- https://openalex.org/W4406138054
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- DOI
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https://doi.org/10.4000/13196Digital Object Identifier
- Title
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May Sinclair’s Romantic CorpusWork title
- Type
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articleOpenAlex work type
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enPrimary language
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2024Year of publication
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2024-01-01Full publication date if available
- Authors
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Leslie de BontList of authors in order
- Landing page
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https://doi.org/10.4000/13196Publisher landing page
- Open access
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YesWhether a free full text is available
- OA status
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diamondOpen access status per OpenAlex
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https://doi.org/10.4000/13196Direct OA link when available
- Concepts
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Romance, Poetry, Romanticism, Literature, Elegiac, Narrative, Appropriation, Art, Philosophy, LinguisticsTop concepts (fields/topics) attached by OpenAlex
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0Total citation count in OpenAlex
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10Other works algorithmically related by OpenAlex
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| abstract_inverted_index.network | 164 |
| abstract_inverted_index.poetry, | 23 |
| abstract_inverted_index.process | 212 |
| abstract_inverted_index.provide | 214 |
| abstract_inverted_index.reading | 187 |
| abstract_inverted_index.several | 88 |
| abstract_inverted_index.textual | 163 |
| abstract_inverted_index.wherein | 84 |
| abstract_inverted_index.Eliotian | 44 |
| abstract_inverted_index.Mary’s | 111 |
| abstract_inverted_index.Olivier, | 152 |
| abstract_inverted_index.Olivier: | 105 |
| abstract_inverted_index.Romantic | 8, 27, 47, 114, 140, 159, 204, 226 |
| abstract_inverted_index.Shelley, | 91 |
| abstract_inverted_index.Sinclair | 16 |
| abstract_inverted_index.artistic | 241 |
| abstract_inverted_index.eclectic | 81 |
| abstract_inverted_index.explores | 2 |
| abstract_inverted_index.fiction. | 59 |
| abstract_inverted_index.instead, | 74 |
| abstract_inverted_index.interest | 138 |
| abstract_inverted_index.literary | 14 |
| abstract_inverted_index.mentions | 26 |
| abstract_inverted_index.numerous | 154 |
| abstract_inverted_index.powerful | 191 |
| abstract_inverted_index.provides | 188 |
| abstract_inverted_index.redefine | 222 |
| abstract_inverted_index.relation | 232 |
| abstract_inverted_index.suggests | 142 |
| abstract_inverted_index.Modernist | 5, 22, 172, 247 |
| abstract_inverted_index.Victorian | 202 |
| abstract_inverted_index.Vorticist | 72 |
| abstract_inverted_index.character | 179 |
| abstract_inverted_index.continuum | 145 |
| abstract_inverted_index.contrast, | 34 |
| abstract_inverted_index.filiation | 242 |
| abstract_inverted_index.idealism. | 135 |
| abstract_inverted_index.identity. | 224 |
| abstract_inverted_index.including | 87 |
| abstract_inverted_index.influence | 52 |
| abstract_inverted_index.ingrained | 207 |
| abstract_inverted_index.instance, | 110 |
| abstract_inverted_index.interests | 130 |
| abstract_inverted_index.landmarks | 218 |
| abstract_inverted_index.narrative | 37 |
| abstract_inverted_index.resonates | 117 |
| abstract_inverted_index.Modernism. | 149 |
| abstract_inverted_index.aesthetics | 173 |
| abstract_inverted_index.oppressive | 201 |
| abstract_inverted_index.pantheism, | 122 |
| abstract_inverted_index.rebellion, | 125 |
| abstract_inverted_index.references | 45, 63 |
| abstract_inverted_index.remarkable | 56 |
| abstract_inverted_index.sensuality | 123 |
| abstract_inverted_index.soundscape | 196 |
| abstract_inverted_index.(1863-1946) | 17 |
| abstract_inverted_index.Olivier’s | 102 |
| abstract_inverted_index.Romanticism | 147 |
| abstract_inverted_index.Shelley’s | 184 |
| abstract_inverted_index.Wordsworth, | 95 |
| abstract_inverted_index.articulates | 43 |
| abstract_inverted_index.discoveries | 120 |
| abstract_inverted_index.influential | 19 |
| abstract_inverted_index.insistently | 77 |
| abstract_inverted_index.interesting | 168 |
| abstract_inverted_index.Romanticism, | 86 |
| abstract_inverted_index.Sinclair’s | 4, 75, 128, 136 |
| abstract_inverted_index.assimilation | 112 |
| abstract_inverted_index.contemporary | 69 |
| abstract_inverted_index.counterpoint | 169 |
| abstract_inverted_index.little-known | 144 |
| abstract_inverted_index.spirituality | 132 |
| abstract_inverted_index.appropriation | 6 |
| abstract_inverted_index.characters’ | 61 |
| abstract_inverted_index.character’s | 210, 246 |
| abstract_inverted_index.individuation | 211 |
| abstract_inverted_index.institutions. | 203 |
| abstract_inverted_index.philosophical | 134 |
| abstract_inverted_index.fragmentation. | 175 |
| abstract_inverted_index.“Adonais,” | 185 |
| abstract_inverted_index.experimentations. | 11 |
| abstract_inverted_index.experimentations; | 73 |
| cited_by_percentile_year | |
| corresponding_author_ids | https://openalex.org/A5050001807 |
| countries_distinct_count | 0 |
| institutions_distinct_count | 1 |
| citation_normalized_percentile.value | 0.37638431 |
| citation_normalized_percentile.is_in_top_1_percent | False |
| citation_normalized_percentile.is_in_top_10_percent | True |