Musisi Progressive Metal sebagai Pendorong Perkembangan Musik Djent di Kota Malang Article Swipe
Dicky Indra Sukmana
,
Robby Hidajat
,
Tutut Pristiati
·
YOU?
·
· 2022
· Open Access
·
· DOI: https://doi.org/10.17977/um064v2i52022p746-764
YOU?
·
· 2022
· Open Access
·
· DOI: https://doi.org/10.17977/um064v2i52022p746-764
Djent music is music which has elements of groove and progressive metal. The creation of djent music is an innovative idea from previous metal music which in its development djent music can’t be separated from the influence of rock music, which is phenomenal in the world. This study aims to describe the development of djent music and the factors influence the development of djent music in Malang. The writing of this research was carried out using descriptive qualitative methods. Using data analysis in the form of interviews with sources. The resource persons in this study were Norman Duarte Tolle (35) as a djent music musician (C-four) in Malang, Aulia Rizky Fajar (24) as a djent music guitarist in Malang, Reynal Juliandi (27) as an observer and music guitarist djent music in Pasuruan, Fauzan Sanjaya (24) as a member of the loud music community (Undisputed), and Fajri Ramadahan (27) as a musician djent music (Ceara) in Jakarta. Observations are aimed at knowing the development of djent music in Malang based on a review of the C-four music group. The result of this research is that the existence of djent music can be seen through the music industry and internet media which play an important role in the development of djent music so that the genre is able to spread widely throughout the world, including in Indonesia and Malang especially. Keywords: development; djent music; musicians; Malang Abstrak: Musik djent merupakan musik yang memiliki unsur groove dan progressive metal. Terciptanya musik djent merupakan gagasan inovasi dari musik metal sebelumnya yang dimana dalam perkembangannya musik djent tidak terlepas dari pengaruh musik rock yang sangat fenomenal di dunia. Penelitian ini bertujuan untuk mendeskripsikan perkembangan musik djent dan faktor yang mempengaruhi perkembangan musik djent di Kota Malang. Penulisan penelitian ini dilakukan dengan menggunakan metode kualitatif yang bersifat deskriptif dengan analisis data berupa hasil wawancara dengan narasumber. Narasumber dalam penelitian ini ada Norman Duarte Tolle (35) sebagai musisi musik djent (C-Four) yang ada di Kota Malang, Aulia Rizky Fajar (24) sebagai gitaris musik djent di Kota Malang, Reynal Juliandi (27) sebagai pemerhati serta gitaris musik djent di pasuruan, Fauzan Sanjaya (24) Selaku anggota komunitas musik keras (Undisputed), dan Fajri Ramadhan (27) sebagai musisi musik djent (Ceara) di Jakarta. Observasi ditujukan untuk mengetahui perkembangan musik djent di Kota Malang berdasarkan tinjauan kelompok musik C-four. Hasil dari penelitian ini ialah bahwa eksistensi musik djent dapat dilihat melalui industri musik dan media internet yang sangat berperan penting bagi perkembangan musik djent sehingga genre tersebut mampu menyebar luas ke seluruh dunia, termasuk di Indonesia dan di Kota Malang. Kata kunci: perkembangan; musik djent; musisi; Malang
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Metadata
- Type
- article
- Language
- en
- Landing Page
- https://doi.org/10.17977/um064v2i52022p746-764
- http://journal3.um.ac.id/index.php/fs/article/download/1818/1581
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All OpenAlex metadata
Raw OpenAlex JSON
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https://openalex.org/W4283389891Canonical identifier for this work in OpenAlex
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https://doi.org/10.17977/um064v2i52022p746-764Digital Object Identifier
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Musisi Progressive Metal sebagai Pendorong Perkembangan Musik Djent di Kota MalangWork title
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articleOpenAlex work type
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enPrimary language
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2022Year of publication
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2022-05-24Full publication date if available
- Authors
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Dicky Indra Sukmana, Robby Hidajat, Tutut PristiatiList of authors in order
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https://doi.org/10.17977/um064v2i52022p746-764Publisher landing page
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https://journal3.um.ac.id/index.php/fs/article/download/1818/1581Direct link to full text PDF
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YesWhether a free full text is available
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hybridOpen access status per OpenAlex
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| abstract_inverted_index.music, | 40 |
| abstract_inverted_index.music; | 232 |
| abstract_inverted_index.musisi | 321, 366 |
| abstract_inverted_index.result | 179 |
| abstract_inverted_index.review | 172 |
| abstract_inverted_index.sangat | 270, 405 |
| abstract_inverted_index.spread | 218 |
| abstract_inverted_index.widely | 219 |
| abstract_inverted_index.world, | 222 |
| abstract_inverted_index.world. | 46 |
| abstract_inverted_index.(Ceara) | 154, 369 |
| abstract_inverted_index.C-four. | 386 |
| abstract_inverted_index.Malang, | 108, 119, 329, 340 |
| abstract_inverted_index.Malang. | 67, 291, 427 |
| abstract_inverted_index.Sanjaya | 134, 353 |
| abstract_inverted_index.anggota | 356 |
| abstract_inverted_index.can’t | 32 |
| abstract_inverted_index.carried | 74 |
| abstract_inverted_index.dilihat | 397 |
| abstract_inverted_index.factors | 59 |
| abstract_inverted_index.gagasan | 251 |
| abstract_inverted_index.gitaris | 335, 347 |
| abstract_inverted_index.inovasi | 252 |
| abstract_inverted_index.knowing | 161 |
| abstract_inverted_index.melalui | 398 |
| abstract_inverted_index.musisi; | 433 |
| abstract_inverted_index.penting | 407 |
| abstract_inverted_index.persons | 92 |
| abstract_inverted_index.sebagai | 320, 334, 344, 365 |
| abstract_inverted_index.seluruh | 419 |
| abstract_inverted_index.through | 193 |
| abstract_inverted_index.writing | 69 |
| abstract_inverted_index.(C-Four) | 324 |
| abstract_inverted_index.(C-four) | 106 |
| abstract_inverted_index.Abstrak: | 235 |
| abstract_inverted_index.Jakarta. | 156, 371 |
| abstract_inverted_index.Juliandi | 121, 342 |
| abstract_inverted_index.Ramadhan | 363 |
| abstract_inverted_index.analisis | 304 |
| abstract_inverted_index.analysis | 82 |
| abstract_inverted_index.berperan | 406 |
| abstract_inverted_index.bersifat | 301 |
| abstract_inverted_index.creation | 14 |
| abstract_inverted_index.describe | 51 |
| abstract_inverted_index.elements | 7 |
| abstract_inverted_index.industri | 399 |
| abstract_inverted_index.industry | 196 |
| abstract_inverted_index.internet | 198, 403 |
| abstract_inverted_index.kelompok | 384 |
| abstract_inverted_index.memiliki | 241 |
| abstract_inverted_index.menyebar | 416 |
| abstract_inverted_index.methods. | 79 |
| abstract_inverted_index.musician | 105, 151 |
| abstract_inverted_index.observer | 125 |
| abstract_inverted_index.pengaruh | 266 |
| abstract_inverted_index.previous | 23 |
| abstract_inverted_index.research | 72, 182 |
| abstract_inverted_index.resource | 91 |
| abstract_inverted_index.sehingga | 412 |
| abstract_inverted_index.sources. | 89 |
| abstract_inverted_index.terlepas | 264 |
| abstract_inverted_index.termasuk | 421 |
| abstract_inverted_index.tersebut | 414 |
| abstract_inverted_index.tinjauan | 383 |
| abstract_inverted_index.Abstract: | 0 |
| abstract_inverted_index.Indonesia | 225, 423 |
| abstract_inverted_index.Keywords: | 229 |
| abstract_inverted_index.Observasi | 372 |
| abstract_inverted_index.Pasuruan, | 132 |
| abstract_inverted_index.Penulisan | 292 |
| abstract_inverted_index.Ramadahan | 147 |
| abstract_inverted_index.bertujuan | 276 |
| abstract_inverted_index.community | 143 |
| abstract_inverted_index.dilakukan | 295 |
| abstract_inverted_index.ditujukan | 373 |
| abstract_inverted_index.existence | 186 |
| abstract_inverted_index.fenomenal | 271 |
| abstract_inverted_index.guitarist | 117, 128 |
| abstract_inverted_index.important | 203 |
| abstract_inverted_index.including | 223 |
| abstract_inverted_index.influence | 37, 60 |
| abstract_inverted_index.komunitas | 357 |
| abstract_inverted_index.merupakan | 238, 250 |
| abstract_inverted_index.pasuruan, | 351 |
| abstract_inverted_index.pemerhati | 345 |
| abstract_inverted_index.separated | 34 |
| abstract_inverted_index.wawancara | 308 |
| abstract_inverted_index.Narasumber | 311 |
| abstract_inverted_index.Penelitian | 274 |
| abstract_inverted_index.deskriptif | 302 |
| abstract_inverted_index.eksistensi | 393 |
| abstract_inverted_index.innovative | 20 |
| abstract_inverted_index.interviews | 87 |
| abstract_inverted_index.kualitatif | 299 |
| abstract_inverted_index.mengetahui | 375 |
| abstract_inverted_index.musicians; | 233 |
| abstract_inverted_index.penelitian | 293, 313, 389 |
| abstract_inverted_index.phenomenal | 43 |
| abstract_inverted_index.sebelumnya | 256 |
| abstract_inverted_index.throughout | 220 |
| abstract_inverted_index.Terciptanya | 247 |
| abstract_inverted_index.berdasarkan | 382 |
| abstract_inverted_index.descriptive | 77 |
| abstract_inverted_index.development | 29, 53, 62, 163, 207 |
| abstract_inverted_index.especially. | 228 |
| abstract_inverted_index.menggunakan | 297 |
| abstract_inverted_index.narasumber. | 310 |
| abstract_inverted_index.progressive | 11, 245 |
| abstract_inverted_index.qualitative | 78 |
| abstract_inverted_index.Observations | 157 |
| abstract_inverted_index.development; | 230 |
| abstract_inverted_index.mempengaruhi | 285 |
| abstract_inverted_index.perkembangan | 279, 286, 376, 409 |
| abstract_inverted_index.(Undisputed), | 144, 360 |
| abstract_inverted_index.perkembangan; | 430 |
| abstract_inverted_index.mendeskripsikan | 278 |
| abstract_inverted_index.perkembangannya | 260 |
| cited_by_percentile_year.max | 94 |
| cited_by_percentile_year.min | 89 |
| countries_distinct_count | 1 |
| institutions_distinct_count | 3 |
| citation_normalized_percentile.value | 0.80826948 |
| citation_normalized_percentile.is_in_top_1_percent | False |
| citation_normalized_percentile.is_in_top_10_percent | False |