Pitch vs. Timbre Article Swipe
Daniel Walden
·
YOU?
·
· 2019
· Open Access
·
· DOI: https://doi.org/10.1093/oxfordhb/9780190637224.013.33
YOU?
·
· 2019
· Open Access
·
· DOI: https://doi.org/10.1093/oxfordhb/9780190637224.013.33
Early comparative musicology habitually ignored, even extinguished, timbre in its single-minded focus on pitch. This chapter traces the broader social, cultural, and political consequences of this framework. It surveys how, at the turn of the twentieth century, John Comfort Fillmore and Benjamin Ives Gilman followed the lead of Alice Fletcher and Alexander Ellis in deploying a broad range of technologies—phonograph, Helmholtz resonator, keyboard, and musical notation—to develop frameworks for analyzing essential similarities and differences between Native American and Western musics. It argues that such scholarship, while ostensibly aimed at salvaging Native American music, also served American efforts to reform and silence indigenous voices. The postscript examines the resonances between their theories and modern frameworks of parametric analysis that construe pitch and timbre as autonomous, and proposes that there may be unrecognized perils in overly articulating the boundaries between pitch and timbre to focus analytical attention exclusively on the measurable quantities of musical sound.
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Concepts
Metadata
- Type
- book-chapter
- Language
- en
- Landing Page
- https://doi.org/10.1093/oxfordhb/9780190637224.013.33
- OA Status
- gold
- Cited By
- 2
- References
- 53
- Related Works
- 10
- OpenAlex ID
- https://openalex.org/W2984663851
All OpenAlex metadata
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https://openalex.org/W2984663851Canonical identifier for this work in OpenAlex
- DOI
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https://doi.org/10.1093/oxfordhb/9780190637224.013.33Digital Object Identifier
- Title
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Pitch vs. TimbreWork title
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book-chapterOpenAlex work type
- Language
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enPrimary language
- Publication year
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2019Year of publication
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2019-10-04Full publication date if available
- Authors
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Daniel WaldenList of authors in order
- Landing page
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https://doi.org/10.1093/oxfordhb/9780190637224.013.33Publisher landing page
- Open access
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YesWhether a free full text is available
- OA status
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goldOpen access status per OpenAlex
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https://durham-repository.worktribe.com/output/1652576Direct OA link when available
- Concepts
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Timbre, Silence, Musical, Focus (optics), Scholarship, Melody, Phonograph, Polyphony, Pitch (Music), Indigenous, Aesthetics, History, Art, Visual arts, Literature, Acoustics, Political science, Law, Optics, Biology, Ecology, PhysicsTop concepts (fields/topics) attached by OpenAlex
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2Total citation count in OpenAlex
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2022: 1, 2021: 1Per-year citation counts (last 5 years)
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53Number of works referenced by this work
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10Other works algorithmically related by OpenAlex
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