Subversive frames: Vermeer and Lucio Fulci's 'Sette note in nero' Article Swipe
Alexandra Heller-Nicholas
·
YOU?
·
· 2024
· Open Access
·
· DOI: https://doi.org/10.25916/sut.26257379
YOU?
·
· 2024
· Open Access
·
· DOI: https://doi.org/10.25916/sut.26257379
This article investigates the utility of Dutch Master Johannes Vermeer's painting The Love Letter (1669-70) in cult Italian director Lucio Fulci's giallo Sette note in nero (The Psychic, 1977), uncovering a complex relationship that is pivotal to the film thematically and stylistically. While at first glance these two texts may seem random (even anachronistic), Sette note in nero suggests that the use of painting in the horror film potentially offers rich insight into a field that, for orthodox film studies at least, has traditionally been considered incapable of such sophistication. As this analysis will argue, the inclusion of recognisable paintings within a horror film such as this encourages a deeper comprehension that reflect the genre's unique ability to address the mechanics of representation.
Related Topics
Concepts
Metadata
- Type
- article
- Language
- en
- Landing Page
- http://hdl.handle.net/1959.3/214136
- OA Status
- green
- OpenAlex ID
- https://openalex.org/W2231370606
All OpenAlex metadata
Raw OpenAlex JSON
- OpenAlex ID
-
https://openalex.org/W2231370606Canonical identifier for this work in OpenAlex
- DOI
-
https://doi.org/10.25916/sut.26257379Digital Object Identifier
- Title
-
Subversive frames: Vermeer and Lucio Fulci's 'Sette note in nero'Work title
- Type
-
articleOpenAlex work type
- Language
-
enPrimary language
- Publication year
-
2024Year of publication
- Publication date
-
2024-01-01Full publication date if available
- Authors
-
Alexandra Heller-NicholasList of authors in order
- Landing page
-
https://hdl.handle.net/1959.3/214136Publisher landing page
- Open access
-
YesWhether a free full text is available
- OA status
-
greenOpen access status per OpenAlex
- Concepts
-
Art, Humanities, Art historyTop concepts (fields/topics) attached by OpenAlex
- Cited by
-
0Total citation count in OpenAlex
Full payload
| id | https://openalex.org/W2231370606 |
|---|---|
| doi | https://doi.org/10.25916/sut.26257379 |
| ids.doi | https://doi.org/10.25916/sut.26257379.v1 |
| ids.mag | 2231370606 |
| ids.openalex | https://openalex.org/W2231370606 |
| fwci | 0.0 |
| type | article |
| title | Subversive frames: Vermeer and Lucio Fulci's 'Sette note in nero' |
| biblio.issue | |
| biblio.volume | 17 |
| biblio.last_page | |
| biblio.first_page | |
| topics[0].id | https://openalex.org/T12076 |
| topics[0].field.id | https://openalex.org/fields/12 |
| topics[0].field.display_name | Arts and Humanities |
| topics[0].score | 0.9070000052452087 |
| topics[0].domain.id | https://openalex.org/domains/2 |
| topics[0].domain.display_name | Social Sciences |
| topics[0].subfield.id | https://openalex.org/subfields/1202 |
| topics[0].subfield.display_name | History |
| topics[0].display_name | Renaissance and Early Modern Studies |
| topics[1].id | https://openalex.org/T13743 |
| topics[1].field.id | https://openalex.org/fields/12 |
| topics[1].field.display_name | Arts and Humanities |
| topics[1].score | 0.9065999984741211 |
| topics[1].domain.id | https://openalex.org/domains/2 |
| topics[1].domain.display_name | Social Sciences |
| topics[1].subfield.id | https://openalex.org/subfields/1200 |
| topics[1].subfield.display_name | General Arts and Humanities |
| topics[1].display_name | Italian Literature and Culture |
| is_xpac | False |
| apc_list | |
| apc_paid | |
| concepts[0].id | https://openalex.org/C142362112 |
| concepts[0].level | 0 |
| concepts[0].score | 0.6603093147277832 |
| concepts[0].wikidata | https://www.wikidata.org/wiki/Q735 |
| concepts[0].display_name | Art |
| concepts[1].id | https://openalex.org/C15708023 |
| concepts[1].level | 1 |
| concepts[1].score | 0.4369080364704132 |
| concepts[1].wikidata | https://www.wikidata.org/wiki/Q80083 |
| concepts[1].display_name | Humanities |
| concepts[2].id | https://openalex.org/C52119013 |
| concepts[2].level | 1 |
| concepts[2].score | 0.3538317084312439 |
| concepts[2].wikidata | https://www.wikidata.org/wiki/Q50637 |
| concepts[2].display_name | Art history |
| keywords[0].id | https://openalex.org/keywords/art |
| keywords[0].score | 0.6603093147277832 |
| keywords[0].display_name | Art |
| keywords[1].id | https://openalex.org/keywords/humanities |
| keywords[1].score | 0.4369080364704132 |
| keywords[1].display_name | Humanities |
| keywords[2].id | https://openalex.org/keywords/art-history |
| keywords[2].score | 0.3538317084312439 |
| keywords[2].display_name | Art history |
| language | en |
| locations[0].id | pmh:oai:researchbank.swinburne.edu.au:95cea4e4-28bc-41b8-ae7a-fb27b953ecb2/1 |
| locations[0].is_oa | False |
| locations[0].source.id | https://openalex.org/S4306401157 |
| locations[0].source.issn | |
| locations[0].source.type | repository |
| locations[0].source.is_oa | False |
| locations[0].source.issn_l | |
| locations[0].source.is_core | False |
| locations[0].source.is_in_doaj | False |
| locations[0].source.display_name | Swinburne Research Bank (Swinburne University of Technology) |
| locations[0].source.host_organization | https://openalex.org/I57093077 |
| locations[0].source.host_organization_name | Swinburne University of Technology |
| locations[0].source.host_organization_lineage | https://openalex.org/I57093077 |
| locations[0].license | |
| locations[0].pdf_url | |
| locations[0].version | acceptedVersion |
| locations[0].raw_type | publishedVersion |
| locations[0].license_id | |
| locations[0].is_accepted | True |
| locations[0].is_published | False |
| locations[0].raw_source_name | Refractory, Vol. 17 (Jul 2010) |
| locations[0].landing_page_url | http://hdl.handle.net/1959.3/214136 |
| locations[1].id | pmh:oai:figshare.com:article/26257379 |
| locations[1].is_oa | True |
| locations[1].source.id | https://openalex.org/S4306400572 |
| locations[1].source.issn | |
| locations[1].source.type | repository |
| locations[1].source.is_oa | False |
| locations[1].source.issn_l | |
| locations[1].source.is_core | False |
| locations[1].source.is_in_doaj | False |
| locations[1].source.display_name | OPAL (Open@LaTrobe) (La Trobe University) |
| locations[1].source.host_organization | https://openalex.org/I196829312 |
| locations[1].source.host_organization_name | La Trobe University |
| locations[1].source.host_organization_lineage | https://openalex.org/I196829312 |
| locations[1].license | |
| locations[1].pdf_url | |
| locations[1].version | submittedVersion |
| locations[1].raw_type | Text |
| locations[1].license_id | |
| locations[1].is_accepted | False |
| locations[1].is_published | False |
| locations[1].raw_source_name | |
| locations[1].landing_page_url | |
| locations[2].id | mag:2231370606 |
| locations[2].is_oa | False |
| locations[2].source | |
| locations[2].license | |
| locations[2].pdf_url | |
| locations[2].version | |
| locations[2].raw_type | |
| locations[2].license_id | |
| locations[2].is_accepted | False |
| locations[2].is_published | |
| locations[2].raw_source_name | |
| locations[2].landing_page_url | https://researchbank.swinburne.edu.au/file/95cea4e4-28bc-41b8-ae7a-fb27b953ecb2/1/PDF (Published version).pdf |
| locations[3].id | doi:10.25916/sut.26257379 |
| locations[3].is_oa | True |
| locations[3].source.id | https://openalex.org/S4306401157 |
| locations[3].source.issn | |
| locations[3].source.type | repository |
| locations[3].source.is_oa | False |
| locations[3].source.issn_l | |
| locations[3].source.is_core | False |
| locations[3].source.is_in_doaj | False |
| locations[3].source.display_name | Swinburne Research Bank (Swinburne University of Technology) |
| locations[3].source.host_organization | https://openalex.org/I57093077 |
| locations[3].source.host_organization_name | Swinburne University of Technology |
| locations[3].source.host_organization_lineage | https://openalex.org/I57093077 |
| locations[3].license | |
| locations[3].pdf_url | |
| locations[3].version | |
| locations[3].raw_type | article-journal |
| locations[3].license_id | |
| locations[3].is_accepted | False |
| locations[3].is_published | |
| locations[3].raw_source_name | |
| locations[3].landing_page_url | https://doi.org/10.25916/sut.26257379 |
| locations[4].id | doi:10.25916/sut.26257379.v1 |
| locations[4].is_oa | True |
| locations[4].source.id | https://openalex.org/S4306401157 |
| locations[4].source.issn | |
| locations[4].source.type | repository |
| locations[4].source.is_oa | False |
| locations[4].source.issn_l | |
| locations[4].source.is_core | False |
| locations[4].source.is_in_doaj | False |
| locations[4].source.display_name | Swinburne Research Bank (Swinburne University of Technology) |
| locations[4].source.host_organization | https://openalex.org/I57093077 |
| locations[4].source.host_organization_name | Swinburne University of Technology |
| locations[4].source.host_organization_lineage | https://openalex.org/I57093077 |
| locations[4].license | |
| locations[4].pdf_url | |
| locations[4].version | |
| locations[4].raw_type | article-journal |
| locations[4].license_id | |
| locations[4].is_accepted | False |
| locations[4].is_published | |
| locations[4].raw_source_name | |
| locations[4].landing_page_url | https://doi.org/10.25916/sut.26257379.v1 |
| indexed_in | datacite |
| authorships[0].author.id | https://openalex.org/A5035480998 |
| authorships[0].author.orcid | |
| authorships[0].author.display_name | Alexandra Heller-Nicholas |
| authorships[0].author_position | first |
| authorships[0].raw_author_name | Alexandra Heller-Nicholas |
| authorships[0].is_corresponding | True |
| has_content.pdf | False |
| has_content.grobid_xml | False |
| is_paratext | False |
| open_access.is_oa | True |
| open_access.oa_url | |
| open_access.oa_status | green |
| open_access.any_repository_has_fulltext | False |
| created_date | 2025-10-10T00:00:00 |
| display_name | Subversive frames: Vermeer and Lucio Fulci's 'Sette note in nero' |
| has_fulltext | False |
| is_retracted | False |
| updated_date | 2025-11-06T06:51:31.235846 |
| primary_topic.id | https://openalex.org/T12076 |
| primary_topic.field.id | https://openalex.org/fields/12 |
| primary_topic.field.display_name | Arts and Humanities |
| primary_topic.score | 0.9070000052452087 |
| primary_topic.domain.id | https://openalex.org/domains/2 |
| primary_topic.domain.display_name | Social Sciences |
| primary_topic.subfield.id | https://openalex.org/subfields/1202 |
| primary_topic.subfield.display_name | History |
| primary_topic.display_name | Renaissance and Early Modern Studies |
| cited_by_count | 0 |
| locations_count | 5 |
| best_oa_location.id | pmh:oai:figshare.com:article/26257379 |
| best_oa_location.is_oa | True |
| best_oa_location.source.id | https://openalex.org/S4306400572 |
| best_oa_location.source.issn | |
| best_oa_location.source.type | repository |
| best_oa_location.source.is_oa | False |
| best_oa_location.source.issn_l | |
| best_oa_location.source.is_core | False |
| best_oa_location.source.is_in_doaj | False |
| best_oa_location.source.display_name | OPAL (Open@LaTrobe) (La Trobe University) |
| best_oa_location.source.host_organization | https://openalex.org/I196829312 |
| best_oa_location.source.host_organization_name | La Trobe University |
| best_oa_location.source.host_organization_lineage | https://openalex.org/I196829312 |
| best_oa_location.license | |
| best_oa_location.pdf_url | |
| best_oa_location.version | submittedVersion |
| best_oa_location.raw_type | Text |
| best_oa_location.license_id | |
| best_oa_location.is_accepted | False |
| best_oa_location.is_published | False |
| best_oa_location.raw_source_name | |
| best_oa_location.landing_page_url | |
| primary_location.id | pmh:oai:researchbank.swinburne.edu.au:95cea4e4-28bc-41b8-ae7a-fb27b953ecb2/1 |
| primary_location.is_oa | False |
| primary_location.source.id | https://openalex.org/S4306401157 |
| primary_location.source.issn | |
| primary_location.source.type | repository |
| primary_location.source.is_oa | False |
| primary_location.source.issn_l | |
| primary_location.source.is_core | False |
| primary_location.source.is_in_doaj | False |
| primary_location.source.display_name | Swinburne Research Bank (Swinburne University of Technology) |
| primary_location.source.host_organization | https://openalex.org/I57093077 |
| primary_location.source.host_organization_name | Swinburne University of Technology |
| primary_location.source.host_organization_lineage | https://openalex.org/I57093077 |
| primary_location.license | |
| primary_location.pdf_url | |
| primary_location.version | acceptedVersion |
| primary_location.raw_type | publishedVersion |
| primary_location.license_id | |
| primary_location.is_accepted | True |
| primary_location.is_published | False |
| primary_location.raw_source_name | Refractory, Vol. 17 (Jul 2010) |
| primary_location.landing_page_url | http://hdl.handle.net/1959.3/214136 |
| publication_date | 2024-01-01 |
| publication_year | 2024 |
| referenced_works_count | 0 |
| abstract_inverted_index.a | 30, 73, 101, 108 |
| abstract_inverted_index.As | 90 |
| abstract_inverted_index.as | 105 |
| abstract_inverted_index.at | 43, 80 |
| abstract_inverted_index.in | 15, 24, 56, 64 |
| abstract_inverted_index.is | 34 |
| abstract_inverted_index.of | 5, 62, 87, 97, 121 |
| abstract_inverted_index.to | 36, 117 |
| abstract_inverted_index.The | 11 |
| abstract_inverted_index.and | 40 |
| abstract_inverted_index.for | 76 |
| abstract_inverted_index.has | 82 |
| abstract_inverted_index.may | 49 |
| abstract_inverted_index.the | 3, 37, 60, 65, 95, 113, 119 |
| abstract_inverted_index.two | 47 |
| abstract_inverted_index.use | 61 |
| abstract_inverted_index.(The | 26 |
| abstract_inverted_index.Love | 12 |
| abstract_inverted_index.This | 0 |
| abstract_inverted_index.been | 84 |
| abstract_inverted_index.cult | 16 |
| abstract_inverted_index.film | 38, 67, 78, 103 |
| abstract_inverted_index.into | 72 |
| abstract_inverted_index.nero | 25, 57 |
| abstract_inverted_index.note | 23, 55 |
| abstract_inverted_index.rich | 70 |
| abstract_inverted_index.seem | 50 |
| abstract_inverted_index.such | 88, 104 |
| abstract_inverted_index.that | 33, 59, 111 |
| abstract_inverted_index.this | 91, 106 |
| abstract_inverted_index.will | 93 |
| abstract_inverted_index.(even | 52 |
| abstract_inverted_index.Dutch | 6 |
| abstract_inverted_index.Lucio | 19 |
| abstract_inverted_index.Sette | 22, 54 |
| abstract_inverted_index.While | 42 |
| abstract_inverted_index.field | 74 |
| abstract_inverted_index.first | 44 |
| abstract_inverted_index.texts | 48 |
| abstract_inverted_index.that, | 75 |
| abstract_inverted_index.these | 46 |
| abstract_inverted_index.1977), | 28 |
| abstract_inverted_index.Letter | 13 |
| abstract_inverted_index.Master | 7 |
| abstract_inverted_index.argue, | 94 |
| abstract_inverted_index.deeper | 109 |
| abstract_inverted_index.giallo | 21 |
| abstract_inverted_index.glance | 45 |
| abstract_inverted_index.horror | 66, 102 |
| abstract_inverted_index.least, | 81 |
| abstract_inverted_index.offers | 69 |
| abstract_inverted_index.random | 51 |
| abstract_inverted_index.unique | 115 |
| abstract_inverted_index.within | 100 |
| abstract_inverted_index.Fulci's | 20 |
| abstract_inverted_index.Italian | 17 |
| abstract_inverted_index.ability | 116 |
| abstract_inverted_index.address | 118 |
| abstract_inverted_index.article | 1 |
| abstract_inverted_index.complex | 31 |
| abstract_inverted_index.genre's | 114 |
| abstract_inverted_index.insight | 71 |
| abstract_inverted_index.pivotal | 35 |
| abstract_inverted_index.reflect | 112 |
| abstract_inverted_index.studies | 79 |
| abstract_inverted_index.utility | 4 |
| abstract_inverted_index.Johannes | 8 |
| abstract_inverted_index.Psychic, | 27 |
| abstract_inverted_index.analysis | 92 |
| abstract_inverted_index.director | 18 |
| abstract_inverted_index.orthodox | 77 |
| abstract_inverted_index.painting | 10, 63 |
| abstract_inverted_index.suggests | 58 |
| abstract_inverted_index.(1669-70) | 14 |
| abstract_inverted_index.Vermeer's | 9 |
| abstract_inverted_index.incapable | 86 |
| abstract_inverted_index.inclusion | 96 |
| abstract_inverted_index.mechanics | 120 |
| abstract_inverted_index.paintings | 99 |
| abstract_inverted_index.considered | 85 |
| abstract_inverted_index.encourages | 107 |
| abstract_inverted_index.uncovering | 29 |
| abstract_inverted_index.potentially | 68 |
| abstract_inverted_index.investigates | 2 |
| abstract_inverted_index.recognisable | 98 |
| abstract_inverted_index.relationship | 32 |
| abstract_inverted_index.thematically | 39 |
| abstract_inverted_index.comprehension | 110 |
| abstract_inverted_index.traditionally | 83 |
| abstract_inverted_index.stylistically. | 41 |
| abstract_inverted_index.anachronistic), | 53 |
| abstract_inverted_index.representation. | 122 |
| abstract_inverted_index.sophistication. | 89 |
| cited_by_percentile_year | |
| corresponding_author_ids | https://openalex.org/A5035480998 |
| countries_distinct_count | 0 |
| institutions_distinct_count | 1 |
| sustainable_development_goals[0].id | https://metadata.un.org/sdg/10 |
| sustainable_development_goals[0].score | 0.49000000953674316 |
| sustainable_development_goals[0].display_name | Reduced inequalities |
| citation_normalized_percentile.value | 0.00178014 |
| citation_normalized_percentile.is_in_top_1_percent | False |
| citation_normalized_percentile.is_in_top_10_percent | True |