Anne-Emmanuelle Ceulemans
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View article: A discussion about violin reduction: geometric analysis of contour lines and channel of minima
A discussion about violin reduction: geometric analysis of contour lines and channel of minima Open
Some early violins have been reduced during their history to fit imposed morphological standards, while more recent ones have been built directly to these standards. We can observe differences between reduced and unreduced instruments, par…
View article: Tonalities. An application for the collaborative online analytical exploration of digital scores: a demonstration based on secular polyphonic works by Guillaume Dufay
Tonalities. An application for the collaborative online analytical exploration of digital scores: a demonstration based on secular polyphonic works by Guillaume Dufay Open
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View article: Validation of a photogrammetric approach for the objective study of early bowed instruments
Validation of a photogrammetric approach for the objective study of early bowed instruments Open
Some early violins have been reduced during their history to fit imposed morphological standards, while more recent ones have been built directly to these standards. We propose an objective photogrammetric approach to differentiate between…
View article: Validation of a photogrammetric approach for the objective study of ancient bowed instruments
Validation of a photogrammetric approach for the objective study of ancient bowed instruments Open
Some early violins have been reduced during their history to fit imposed morphological standards, while more recent ones have been built directly to these standards. We propose an objective photogrammetric approach to differentiate between…
View article: Upright and grand piano actions dynamic performances assessments using a multibody approach
Upright and grand piano actions dynamic performances assessments using a multibody approach Open
View article: Das diatonisch-chromatische System zur Zeit des Michael Praetorius. Eine digitale Neuerschließung des Syntagma Musicum (1619) in Verbindung mit dem Tanzzyklus Terpsichore (1612)
Das diatonisch-chromatische System zur Zeit des Michael Praetorius. Eine digitale Neuerschließung des Syntagma Musicum (1619) in Verbindung mit dem Tanzzyklus Terpsichore (1612) Open
Etude de l'évolution de la théorie musicale et du répertoire à l'aube du XVIIe siècle par une confrontation entre le Syntagma musicum de Michael Praetorius et son cycle de danses, Terpsichore.
View article: Praetorius’ Polyhymnia caduceatrix (1619): Diatonische Logik und Skalenlogik in mehrchörigen und konzertierenden Werken des Frühbarocks
Praetorius’ Polyhymnia caduceatrix (1619): Diatonische Logik und Skalenlogik in mehrchörigen und konzertierenden Werken des Frühbarocks Open
View article: Trois figures hennuyères de la restauration du plain-chant : François-Joseph Fétis, Louis Lambillotte et Théodore Nisard
Trois figures hennuyères de la restauration du plain-chant : François-Joseph Fétis, Louis Lambillotte et Théodore Nisard Open
View article: Praetorius’ Polyhymnia caduceatrix (1619). Diatonische Logik und Skalenlogik in mehrchörigen und konzertierenden Werken des Frühbarocks
Praetorius’ Polyhymnia caduceatrix (1619). Diatonische Logik und Skalenlogik in mehrchörigen und konzertierenden Werken des Frühbarocks Open
This contribution examines the ConcertGesänge in Michael Praetorius’ Polyhymnia caduceatrix (1619) in terms of their modal-tonal properties. After a historical survey, the study focuses on the bassus generalis, used throughout the collecti…
View article: Lasso, Meier, Powers. The Reality of the Modes under Scrutiny
Lasso, Meier, Powers. The Reality of the Modes under Scrutiny Open
Since Bernhard Meier’s publication of Die Tonarten der klassischen Vokalpolyphonie (1974), the role played by the modes in 16th-century music has been highly debated. Do they constitute an a priori compositional system comparable to harmon…
View article: Une acquisition étonnante au Musée des instruments de musique de Bruxelles : la vielle à roue de la famille Solheid
Une acquisition étonnante au Musée des instruments de musique de Bruxelles : la vielle à roue de la famille Solheid Open
View article: Historical and dynamical study of piano actions: A multibody modelling approach
Historical and dynamical study of piano actions: A multibody modelling approach Open
View article: Multibody dynamics as a tool for historical research
Multibody dynamics as a tool for historical research Open
View article: Integrating modality into melodic expectation: Open Peer Commentary on Marcus T. Pearce and Tuomas Eerola, Towards predictive models of music perception in historical audiences
Integrating modality into melodic expectation: Open Peer Commentary on Marcus T. Pearce and Tuomas Eerola, Towards predictive models of music perception in historical audiences Open