Corina E. Rogge
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Development of a Thermal Separation Probe Gas Chromatography–Mass Spectrometry Method for Evaluating Wax–Resin Removal by Evolon® CR Open
Historically, many canvas paintings were infused with wax–resin mixtures that have discolored over time, distorting the aesthetics of the work, limiting treatment options, and introducing unstable materials into the object. Removal of the …
Is There an International Klein Pink? Open
Yves Klein (1928–1962) is best known for his intensely blue monochromatic works made with International Klein Blue (IKB), a synthetic ultramarine blue pigment bound in a poly(vinyl acetate) binder. However, he also made monochromes in othe…
The Nucleus of Color: Analysis of Hélio Oiticica’s Studio Materials Open
A collection of studio materials belonging to the Brazilian neo-concrete artist Hélio Oiticica (1937–1980) was analyzed to identify the pigments and binding media present in paint mixtures created by the artist and in Brazilian house, arti…
“Foundations of a great metaphysical style”: unraveling Giorgio de Chirico’s early palette Open
Properly situating Giorgio de Chirico’s metaphysical works within his lifetime is complicated due to incomplete provenances, his practice of deliberately falsifying dates, and the known existence of forgeries. De Chirico’s palette may have…
Luminescence of coprecipitated titanium white pigments: Implications for dating modern art Open
Identification, dating and sourcing of titanium white pigments in modern art via Raman-based detection of neodymium luminescence.
Testing the limits: The theoretical development and practical reality of a large-scale agarose gel treatment for a discolored Morris Louis Open
The raw canvas paintings of Morris Louis and similar color field works, with their extreme vulnerability to staining and structural damage, present a challenge for safe and successful treatment design, often testing the bounds of our abili…