Inge Panneels
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View article: <i>Picture Your Poisons</i>: An Intimate Portrait of Cancer Treatment
<i>Picture Your Poisons</i>: An Intimate Portrait of Cancer Treatment Open
The authors discuss both practice-led research through making and the role of data in making by using a dialogic autoethnographic format. Picture Your Poisons is an intimate portrait of a cancer treatment journey, grounding viewers in the …
View article: Data-driven innovation for sustainable practice in the creative economy
Data-driven innovation for sustainable practice in the creative economy Open
Can data-driven innovation support the shift towards a more sustainable future? In this chapter, we present case studies from eight European cities to demonstrate how the creative sector is moving towards economic models that expand beyond…
View article: Ecosystems and partnerships
Ecosystems and partnerships Open
What are the ecosystems and partnerships required to enable data-driven innovation to be taken up in the creative industries? This chapter discusses how ecosystems enable different forms of innovation through partnership networks in the cr…
View article: Digital and data literacy
Digital and data literacy Open
In this chapter we explore models for training and upskilling people in the creative industries in data, technology and entrepreneurial skills, situating this in the wider skills and training context. We will particularly look at the chall…
View article: Mapping the Anthropocene: Atelier NL, a Case Study of Place-Based Material Craft Practices
Mapping the Anthropocene: Atelier NL, a Case Study of Place-Based Material Craft Practices Open
This paper argues that mapping as a methodology can support localised production, as exemplified in the case study of the design studio Atelier NL which marries contemporary design sensibilities with traditional glass and ceramics craft-ma…
View article: Digital Skills for the Creative Practitioner: Supporting Informal Learning of Technologies for Creativity
Digital Skills for the Creative Practitioner: Supporting Informal Learning of Technologies for Creativity Open
The creative industries play an important role in economic, cultural and social life, and in many creative disciplines much of the workforce is made up of individual practitioners including freelancers, sole traders and small or micro ente…
View article: There be Dragons: Navigating the uncharted data territories of creative practice
There be Dragons: Navigating the uncharted data territories of creative practice Open
This report documents the work of the Creative Informatics Creative Horizons 4: There be Dragons project. The There Be Dragons project starts from the premise that data can empower creative businesses to do more and to do it better. Data c…
View article: The Quintuple Bottom Line: A Framework for Place-Based Sustainable Enterprise in the Craft Industry
The Quintuple Bottom Line: A Framework for Place-Based Sustainable Enterprise in the Craft Industry Open
This study proposes to extend the sustainable business framework of the Quadruple Bottom Line into the Quintuple Bottom Line. The five Ps of the Quintuple Bottom Line support purpose-driven businesses to consider economic profitability alo…
View article: Distance: digital immersive technologies and craft engagement
Distance: digital immersive technologies and craft engagement Open
The DISTANCE project (digital immersive technologies and craft engagement) is a novel practice-led experiment in the use of immersive technology to enable dispersed craft practitioners to apply their haptic skills and material knowledge in…
View article: Connecting, Collaborating, Creating: The Experiences of Creative Freelancers in Edinburgh in 2022
Connecting, Collaborating, Creating: The Experiences of Creative Freelancers in Edinburgh in 2022 Open
This report provides a snapshot of the state and needs of creative freelancers in the Edinburgh region in 2022. The last few years have been both interesting and challenging for creative freelancers in Scotland. Given the constraints cause…
View article: Connecting, Collaborating, Creating: The Experiences of Creative Freelancers in Edinburgh in 2022
Connecting, Collaborating, Creating: The Experiences of Creative Freelancers in Edinburgh in 2022 Open
This report provides a snapshot of the state and needs of creative freelancers in the Edinburgh region in 2022. The last few years have been both interesting and challenging for creative freelancers in Scotland. Given the constraints cause…
View article: Data-Driven Innovation for Sustainable Creative Practice
Data-Driven Innovation for Sustainable Creative Practice Open
We present a film exhibiting eight case studies of projects dealing with the intersections of environmental sustainability, data and technology, which have all been led by and rooted in the creative industries in Scotland. The film highlig…
View article: Creative Informatics - a toolkit for digital events
Creative Informatics - a toolkit for digital events Open
Creative Informatics is a research and development programme based in Edinburgh, which aims to bring the city’s world-class creative industries and tech sector together. We are a collaboration between University of Edinburgh, Edinburgh Nap…
View article: The value of mass-digitised cultural heritage content in creative contexts
The value of mass-digitised cultural heritage content in creative contexts Open
How can digitised assets of Galleries, Libraries, Archives and Museums be reused to unlock new value? What are the implications of viewing large-scale cultural heritage data as an economic resource, to build new products and services upon?…
View article: How Can We Balance Research, Participation and Innovation as HCI Researchers?
How Can We Balance Research, Participation and Innovation as HCI Researchers? Open
This paper reflects upon the growing expectation for HCI research projects to collaborate closely with partners in industry and civil society. Specifically, we suggest that this type of engagement is often prefigured around the agendas, ne…
View article: Mapping the Sea on Scotland’s Peripheries
Mapping the Sea on Scotland’s Peripheries Open
This paper examines the use of mapping methodologies in some recent examples of contemporary art that chart the layered seascapes of the remote coastlines on North West Scotland as seen through the lens of visual culture in the Anthropocen…
View article: Glass—A Material Practice in the Anthropocene
Glass—A Material Practice in the Anthropocene Open
This paper details and discusses Material Journey (2018), an art project by the author that was exhibited at the National Glass Centre in Sunderland (UK) from 9 June to 2 September 2018. This research project sought to interrogate the mate…
View article: Mapping The Borders (talk)
Mapping The Borders (talk) Open
This talk will present the Mapping the Borders project which brought together artists and academics to present diverse interpretations of the Scottish Borders which was presented during the Being Human Festival in November 2017.
View article: Mapping (and Remapping) Cities
Mapping (and Remapping) Cities Open
A one-day workshop & discussion with invited artists Inge Paneels (University of Sunderland / National Glass Centre) and Iain Biggs (University of Dundee / PLaCE International/LAND2) This event will involve participants in map-making activ…
View article: Mapping the Borders: charting change
Mapping the Borders: charting change Open
This article was submitted to Maplines, Spring 2018, The British Cartographic Society's Magazine. Mapping The Borders was a week-long programme of cultural events which brought together contemporary art projects with maps chosen by the art…
View article: Reflections: glass: water: art:science
Reflections: glass: water: art:science Open
REFLECTIONS : glass : water : art : science showcases contemporary artwork by a variety of artists inspired by the creative interaction of reflective material within the designed landscape of the Haining House and loch. The residency progr…
View article: British Glass Biennale 2015, exhibition
British Glass Biennale 2015, exhibition Open
Inge Panneels was a finalist with 'Terra Mundi' (2013) for the British Glass Biennale 2015, part of the International Festival of Glass for which 76 artists were selected for this prestigious award from more than 200 applications, through …