Jean-Louis Comolli
YOU?
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View article: Literatur-, Quellen- und Filmverzeichnis
Literatur-, Quellen- und Filmverzeichnis Open
View article: Angles vifs et bords coupants
Angles vifs et bords coupants Open
1. Le corps filmé n’est plus le corps quelconque. Pris dans un cadre, qui l’accompagne ou bien le contraint, il subit les réductions et exaltations propres à la cinématographie des corps humains. L’image du corps n’est pas plus le corps qu…
View article: Questions à Jean-Louis Comolli
Questions à Jean-Louis Comolli Open
Question 1, sur la common decency Ton livre nous paraît une éthique, éthique du film, mais aussi, plus largement, éthique de l’attention à autrui. Tu écris, p. 68 : « […] celles et ceux qui jouent le jeu. Qui ne voient pas, qui ne veulent …
View article: Cinéma, Numérique, Survie
Cinéma, Numérique, Survie Open
Qu’est-ce qui dresse le cinéma contre les accélérations du tout numérique ? Les aurores après la tempête ne se voient plus que sur les écrans des salles de cinéma. Numérisés, les capitaux et les catastrophes détruisent le monde des matins …
View article: Index
Index Open
View article: Index of names
Index of names Open
View article: Index
Index Open
View article: V. Changing the Spectator?
V. Changing the Spectator? Open
V. Changing the Spectator?The detour is right at the source of every literary work.The literary work which does not give itself over to the detour is nothing but a literal report of the real.And even in the era when it was considered that …
View article: Cinema Against Spectacle
Cinema Against Spectacle Open
Jean-Louis Comolli’s six-part essay Technique and Ideologyhad a revolutionary effect on film theory and history when it first appeared in Cahiers du Cinéma in 1971. In 2009, Comolli revisited his earlier text, arguing that the present age,…
View article: II. Depth of Field: The Double Scene
II. Depth of Field: The Double Scene Open
II. Depth of Field: The Double SceneIf our intention is to illustrate, by way of example, the function of the technique/ ideology duality in the field of the cinema, and to mark the contradictions and forms of resistance to which all disco…
View article: II. Inventing the Cinema?
II. Inventing the Cinema? Open
II. Inventing the Cinema?I had to look through thousands of meters of film before hitting on the sequence of the Soviet army crossing Lake Sivash; and it stunned me.I had never come across anything like it.As a rule one was faced with poor…
View article: III. “Primitive” Depth of Field
III. “Primitive” Depth of Field Open
View article: Appendix I: Cinema/Ideology/Criticism
Appendix I: Cinema/Ideology/Criticism Open
View article: Cinema Against Spectacle: Technique and Ideology Revisited
Cinema Against Spectacle: Technique and Ideology Revisited Open
Jean-Louis Comolli’s six-part essay Technique and Ideology had a revolutionary effect on film theory and history when it first appeared in Cahiers du Cinéma in 1971. In 2009, Comolli revisited his earlier text, arguing that the present age…
View article: Free Jazz/Black Power
Free Jazz/Black Power Open
View article: Tele, on ets?
Tele, on ets? Open
View article: TV, where are you?
TV, where are you? Open
View article: Tele, ¿dónde estás?
Tele, ¿dónde estás? Open