Mat Dalgleish
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View article: LAYERING THE SENSES: EXPLORING AUDIO PRIMACY IN MULTI SENSORY CINEMA
LAYERING THE SENSES: EXPLORING AUDIO PRIMACY IN MULTI SENSORY CINEMA Open
This is an accepted manuscript of a paper published by the Institute of Acoustics in Proceedings of the Institute of Acoustics on 22/11/2021.
\nThe accepted version of the publication may differ from the final published version.
View article: Sound objects: exploring embedded computing for procedural audio in theatre
Sound objects: exploring embedded computing for procedural audio in theatre Open
Procedural audio has been the subject of significant contemporary interest, but prior examples in relation to theatre sound are limited. After providing background to theatre sound and procedural audio, we introduce two artefacts, RayGun a…
View article: MAMIC goes Live: A Music Programming System for Non-Specialist Delivery
MAMIC goes Live: A Music Programming System for Non-Specialist Delivery Open
The computing curriculum in England has shifted from “software training” to a model where children learn to code as a way of understanding underlying principles. This has created challenges for primary school teaching practitioners, many o…
View article: Soundtrack as Auditory Interface: Exploring an Alternative to Audio Description for Theatre
Soundtrack as Auditory Interface: Exploring an Alternative to Audio Description for Theatre Open
Conference paper presented at Reproduced Sound 2017 - Sound Quality by Design, organised by the Institute of Acoustics in collaboration with ISCE, AES, ABTT, APRS. - 21-23 November 2017 at Nottingham University
View article: <i>LOOP</i>: A Circular Ferric Memory in Slow Decline
<i>LOOP</i>: A Circular Ferric Memory in Slow Decline Open
The author describes the manipulation of time and memory in his work LOOP, a tape-based sound installation started in 2004.
View article: Wiring the Ear: Instrumentality and Aural Primacy in and after David Tudor’s Unstable Circuits
Wiring the Ear: Instrumentality and Aural Primacy in and after David Tudor’s Unstable Circuits Open
The author discusses how the live electronics of David Tudor destabilize notions of instrumental learning and mastery, with a shift from physical to aural skills.
View article: MAMIC: a visual programming library for amalgamating Mathematics and Coding through Music
MAMIC: a visual programming library for amalgamating Mathematics and Coding through Music Open
The role of computing within the National Curriculum framework has changed dramatically in recent times. Traditionally, the computing curriculum in schools focussed on software competency and proficiency in common but basic tasks such as w…
View article: Adding Value: Combining Ambient Visual and Vibrotactile Feedback to Encourage Good Posture in Trumpet Players
Adding Value: Combining Ambient Visual and Vibrotactile Feedback to Encourage Good Posture in Trumpet Players Open
The role of the body of the player in trumpet pedagogy has either tended to go unrecognised, or the ability of the body to find appropriate techniques has been assumed. However, there has been increasing recognition that bodily posture is …
View article: Uchronie: Revisiting Analogue Computing to Expand the Language of A/V Synthesis
Uchronie: Revisiting Analogue Computing to Expand the Language of A/V Synthesis Open
Compared to acoustic instruments, the evolution of the synthesizer has been rapid but fragmented. With reference to the theory of Chion, Uchronie explores the audiovisual possibilities of borrowing from general-purpose analogue computers. …